civil war uniforms--4/6/2026
Today's selection-- from A Nation Unraveled by Sarah Jones Weicksel. Uniforms were crucial in the America Civil War for forming and bolstering individual and collective identity
“In July 1863, William Willoughby; a Union soldier stationed along the North Carolina coast, wrote a letter home to his wife, Nancy, in New Haven, Connecticut. The Battle of Gettysburg had ended a few days prior, but Willoughby was not writing about battle, nor much of anything related to military movements. Instead, he asked her to make 'two more shirts yes four more if you will–like those two plaid wool shirts' she had previously made. The sizes, he noted, should be 'two of one size and two of the other.'
“This was just one in a series of clothing requests made by Willoughby going back several months, including shirts and caps of different sizes. He was also keenly interested in an accounting of the money Nancy spent on materials and of her labor. Over time, Willoughby's instructions became increasingly detailed: 'Select buttons as will not be likely to pull out from the eye. Boardman wants you to make two button holes on the sleeves of his two shirts instead of buttons and buttonholes and then send two buttons so he can link them together and have sleeve buttons I mean two buttons for each sleeve ... and mark each mans shirts make them well and strong and of as good material as the last.' The garments were not for William himself. The Willoughbys were running their own informal, possibly clandestine, clothing business and his comrades were their customers. William Willoughby was clearly committed to supplying a quality product to his customers. The Willoughbys had a lively market for home-sewn shirts among William's Union comrades in North Carl olina, for whom the details of their clothing mattered. The pages that follow explain why those soldiers considered it worthwhile to have clothing shipped several hundred miles from Connecticut, rather than draw it from a quartermaster, and just why Boardman was so concerned about his buttons.
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| A plate showing the uniform of a U.S. Army first sergeant, circa 1858, influenced by the French army |
“Civil War soldiers' uniforms are generally understood within the broader context of disputed government contracts and manufacturers who were responsible for establishing a standard commercial sizing system for men–a system that thrust the already-burgeoning ready-made clothing industry into the modern era of mass production. Certainly this was a development of no small matter–the widespread acceptance of a sizing system shaped the modern garment industry. However, the ways in which soldiers and their families experienced the sudden large-scale demand for uniforms was far more complex. That is a story about mud and mire, ill-fitting boots, chafing pants, and stolen knapsacks. It is a history of people grappling with available technologies and production methods, remedying governmental failures, and working out the problems of fitting clothes to the conditions of battle and camp life.
“Uniforms were critical, in waging war, performing not only the practical purpose of clothing men's bodies, but also the work of shoring up the collective identities and community support necessary for successfully deploying and supporting armies. Uniforms were central to creating shared identities that centered on soldiers' manhood: the donning of a uniform signaled a man's transition from civilian to soldier and defined a relationship to the government. Supply shortages and quality problems meant that uniforms were often more effective at initially arousing patriotic fervor than maintaining it.
“Within the complex relationship between the home front and battlefront developed both a public culture of manhood and private and public struggles to maintain soldiers' comfort, health, and appearance. Soldiers' garments helped people parse the blurred boundaries between manhood, duty, and incompatible gender norms for men within the context of war. People understood many of these garments as possessing transformative qualities: Brass elevated a soldier's status; a fitted uniform replaced the rags worn by a 'slumped slave;' transforming him into a 'battle-ready' man; body armor purportedly 'steeled' a soldier's body and mind for battle. Clothing, the process of provisioning, and the circumstances of war intertwined to define gender, and in the process shaped people's everyday experiences of, and attitudes toward, an expanding federal government.
“Competing and complementary understandings of manhood were expressed through multiple material forms that evolved during the war, including body armor and a 'battlefront style' of brightly colored shirts and body armor. But at the outbreak of war, white Americans across the United States and its territories turned to the same clothing culture as a public means of defining manhood. In the midst of sectional strife, both sides of the conflict adopted uniform culture not just as their military culture but as the dominant culture writ large. This was a culture that defined both manhood and womanhood in the context of war-it was, I argue, a national 'brass manhood.'"
author: |
Sarah Jones Weicksel |
title: |
A Nation Unraveled: Clothing, Culture, and Violence in the American Civil War Era (Civil War America) |
publisher: |
University of North Carolina Press |
pages: |
19-20 |
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